BOOK OF MATCHES MEDIA Is A Small Collective Of Independent Authors, Filmmakers, Photographers, Artists, And Musicians Dedicated To Producing Quality Work In A Variety Of Genres And Mediums.

The Tumblr is run by founder Geoffrey Young Haney and will contain mostly cool things meant to geek you out and wasted your time. Enjoy!

Marvel at Our Favorite TV Shows and Movies As Children's Books



First one to sign the Marshall fridge! Muahaha #1059thex

Umm… that fridge is the best.


First one to sign the Marshall fridge! Muahaha #1059thex

Umm… that fridge is the best.

Changed my wallpaper today, but I’m already thinking it will be a problem. I don’t think I can focus with that much man staring at me…

AMATEUR - short prequel to the feature film MANCHILD from Ryan Koo on Vimeo.

AMATEUR is the lead-in short film for my forthcoming narrative feature MANCHILD, which follows a 13 year-old athlete through the competitive world of youth basketball. This short focuses on an encounter between a street agent and a high school basketball player.

Full info at Thanks for watching!

Okay this is a masterful pop-punk cover. Harmonies are just killing it.

(Source: Spotify)

Danny Boyle's 15 Golden Rules of Moviemaking by Danny Boyle | MovieMaker MagazineMovieMaker Magazine

Required reading.

“It seems to me the quality that separates the popular from the unpopular—the one and only quality that Eddie Prior and Cameron Hodges had in common—is a strong sense of self. Eddie knew who he was. He accepted himself. His failings had ceased to trouble him. Every word he spoke was a thoughtless, pure expression of his true personality. Whereas I had no clear picture of myself, and was always looking to others, watching them intently, both hoping and fearing that I would catch some clear sign of who they saw when they looked at me.”

—   Joe Hill - Voluntary Committal

The Spielberg Oner - One Scene, One Shot from Tony Zhou on Vimeo.

One overlooked aspect of Spielberg is that he’s actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.

As always, this video is for educational purposes only.

If you’d like to see the original footage from the films, here they are:
Eight lengthy examples:
Twelve short examples:

location scout - two track by my house from Geoffrey Haney on Vimeo.

just some random sweet spots by my house.

Harry Potter stuntman David Holmes speaks of moment he was left paralysed in horror film accident




Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.

We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.

Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.

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Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”

Image 2: “Kathryn who’s playing my double who’s incredible.”

[ Orphan Black's Tatiana Maslany on her acting double, Kathryn Alexandre, two images from a set on themarysue, via lifeofkj ]

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I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.

[ Daniel Radcliffe talking about David Holmes, his stunt double for 2001-2009, who was paralysed while working on the Harry Potter films. David Holmes relates his story here. Gifset via smeagoled ]

With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.

But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.

Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.


[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]

I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work. 

Hat’s off to them, and my thanks for all they do.

(Source: stark-industries-rnd, via leatherboundgeek)

Bowies in Space

I usually think mashups are kinda played out, but I can get behind this one!

“The most important decision I have to make: What is this movie about? I’m not talking about plot, although in certain very good melodramas the plot is all they’re about. A good, rousing, scary story can be a hell of a lot of fun. But what is it about emotionally? What is the theme of the movie, the spine, the arc? What does the movie mean to me? Personalizing the movie is very important. I’m going to be working flat out for the best six, nine, twelve months. The picture had better have some meaning to me.”

—   Sidney Lumet - Making Movies

Geoffrey Young Haney’s Reel from Geoffrey Haney on Vimeo.

BOOK OF MATCHES MEDIA presents Geoffrey Young Haney’s Writer/Director Reel

Featuring the short films The Lighthouse and The Last Supper

Thanks for watching!

Edit and Titles by Geoffrey Young Haney